![]() ![]() The two following volumes of The Real Book were produced. And also, it was a lot more legible it was easy to read." The Real Book was imperfect there were wrong changes throughout it, but it was tremendously more accurate than what existed previously. ![]() The irony is that shortly after the book was put out, some other people realized they could photocopy it and sell it themselves, and the two guys who did all the work and put the book together made a lot less money than they had hoped to because there were imitation Real Books out there almost immediately. He went on to be a big-time music copyist in Hollywood. One of them had a beautiful manuscript that subsequently became classic-it's called the Real Book font, and it imitates with uncanny accuracy his hand. Then I watched these guys finally get the book together. Swallow asked Bley and Steve Kuhn if they wanted some of their songs included, and they did so they all contributed lead sheets. ![]() They asked permission to use some of his songs, and he agreed. When Swallow was asked about the origin in February 2018, he said the book was written by students at Berklee who wanted to make money. Those were the songs that were played most in Boston in the early 1970s when the book was written. Each edition is identically paginated.Ĭompositions by Steve Swallow, Paul Bley, and Chick Corea are heavily represented in The Real Book with jazz standards and classic jazz compositions. The Real Book is published in editions to suit B ♭, E ♭, F, and C ( concert pitch) instruments, as well as bass clef and voice editions ("low" and "high" voice, with lyrics). These books also inspired a similar series, offered by the Sher Music Co., called The New Real Book. Many new volumes were eventually added to the series, and some of the errors in the original volumes were corrected. In 2004, the Real Book material was acquired by the publisher Hal Leonard and licensed for legal sale. for cash in the backs of music stores, and between musicians. These unlicensed books were all sold through informal connections, e.g. The original Real Book volumes, like earlier fake books, were printed without securing copyright releases or paying royalties, and they were thus illegal. For this reason, the books were quickly adopted among jazz players in the 1970s, particularly on the East Coast of the United States. The first three Real Book volumes, in contrast, contained many bebop and other jazz standards that were likely to be encountered on jazz gigs at the time. Early fake books were often used by professional bands who performed mostly standards, often more geared to society and dance bands rather than jazz ensembles, and devoted much space to show tunes, novelty tunes, traditional jazz, etc. The name is derived from " fake books", so called because they contained only rough outlines of music pieces rather than fully notated scores. ![]()
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